Agenda
Agenda
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Pierre Le Levier
Responsable Développement Commercial France
Les Harpes Camac
Tél. : 02.40.97.79.50
[email protected] -
We’re delighted to open our fourth series of online concerts with the doyenne of the Irish harp, Janet Harbison. To transport yourselves virtually to our concert hall, just click on CamacHarpsOfficial on Youtube, Thursday November 4 at 19:30 CET.
Born in Dublin, Dr. Janet Harbison is equally at home in traditional Irish and classical art music. Her early career was punctuated by winning every national harp competition and a number of internationals, including the All-Ireland Championship, the Isle of Man Millenium Competition and the Rencontres Internationales de Harpe Celtique, Dinan. In 1980, she became the first harper to tour the world with Comhaltas Ceoltoiri Eireann.
Appointed Curator of Music at the Ulster Folk Museum in 1986, Janet Harbison instigated a number of cross-community cultural heritage projects – the most dynamic of which was the Belfast Harp Orchestra, subsequently the Irish Harp Orchestra. Early collaborations with The Chieftains brought world fame and a Grammy Award for their first joint album; the orchestra has also toured throughout Ireland, the UK, North America, Europe and the Middle East.
In 2016, Janet returned to Northern Ireland as Visiting Professor of Music at Ulster University at Magee College, L’Derry. Revisiting her academic interests in ethnomusicology, psychology, linguistics and pedagogy, much of her time is now spent researching, writing and organising the considerable archive of the Belfast Harp Orchestra, the Irish Harp College, and managing her considerable catalogue of publications. In March 2020, she presented the keynote speech at the Ulster University Belfast symposium on ‘Irish Harp, by Note, Rote and Reason’ and today, she continues to perform, compose and teach as a freelance musician and musicologist.
Janet Harbison is the inspiration for Camac’s “Janet” Irish harp.
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Born in 1995, Mathilde Wauters took her first harp lessons with her sister Emma. She then continued her musical education at the Bruges Municipal Conservatory with Eline Groslot, and in Sophie Hallynck’s class at the Antwerp Conservatory. First admitted there as a young talent at the age of 15, she obtained her Master’s degree with the highest distinction in 2017. She continued with Isabelle Moretti at the Conservatoire National Supérieur de Paris, also graduating with the highest distinction. Mathilde is currently a member of the Munich Philharmonic Academy programme and is supported by the S.W.U.K. Foundation.
Mathilde has won several national and international competitions, including the Godefroid Competition, Harpegio, and Belfius Classics. In 2013, she won the first prize at the Martine Géliot International Harp Competition. At the 11th USA International Harp Competition in Bloomington, she won the third prize as well as the special prize for the best interpretation of Rodrigo’s Concierto de Aranjuez.
Mathilde has also participated in numerous master classes with renowned harpists such as Germaine Lorenzini, Letizia Belmondo, Patrizia Tassini and Jana Bouskova. She has performed in music festivals like the Arte Amanti festival and Les concerts de l’orangerie in Seneffe, and was part of the Schleswig-Holstein Festival Orchestra in 2018.
Mathilde regularly performs as a duo with Emma Wauters, in concert halls such as the Concertgebouw Brugge or Bozar in Brussels.
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This week on Les Jeudis de la Harpe, it’s time for some jazz ♫
We have often worked with Ben Creighton Griffiths; we love his creative and wide-ranging mastery, from jazz manouche to his famous “one man band” sets. He’s performed for us in his home town of Cardiff, and much further afield: a tour of the Netherlands, several times in Spain, Hungary, Zagreb, Prague and at the Cambridge Jazz Festival. If you haven’t yet discovered his work, Ben has an excellent YouTube channel of his own: check out his fusion collection, standards collection, pop collection, gipsy jazz collection, and more.
We’re thrilled that Ben has made it across the Channel from Cardiff to join us in Paris, and he’ll be performing many numbers from his latest album – La Vie en Rose!
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25 Nov 2021
This week, Les Jeudis de la Harpe present one of the harp’s best-loved chamber music constellations: in trio with flute and viola.
Léo Doumène (harp), Marie Laforge (flute) and Raphaël Pagnon (viola) are longtime friends who all met while studying at the Conservatoire National Supérieur de Musique et de Danse de Paris. They are now also all members of the Appassionato Chamber Orchestra, a dynamic and flexible ensemble based in Paris.
This Thursday, November 25 at 19:30, they will perform two of the most famous trios in the harp repertoire: Debussy’s Sonate en trio, and Takemitsu’s And Then I Knew ‘Twas Wind.
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As winter draws in, what could be more delightful than a fantastic concert in the comfort of your own home? This Thursday, celebrate the start of the festive season with a jazzy Jeudi de la Harpe!
At 19:30 on December 2nd, Evelyn Huber will be performing standards, her own compositions, and many tracks from her latest album, “Calm”. You can download the set list here.
Evelyn Huber is one of Germany’s best-known jazz harpists. She is the recipient of the the Bavarian Cultural Award, a multiple winner of the Jazz Award of the German Phonographic Industry, and – as a former member of the band Quadro Neuvo – “Live Act of the Year” at the German Music Awards in 2010 AND 2011.
As ever, join us for the concert on YouTube with one simple click.
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If you’re in Zagreb, our friends in Croatia are holding their 8th festival – with a Christmas theme! Don’t miss Anneleen Lenaerts, harp and voice with Marija Klepo, harp and percussion with Biserka Krčelić, the best of Croatia’s next generation of young artists on December 4, Doris Harp Karamatic on Dec 5, and harp and theatre with Lovarka Begović and Nina Šeparović.
The festival is also hybrid with online masterclasses with Chantal Mathieu from December 10-12!
Bookings: [email protected]
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Founded in 2007, the Atlantic Harp Duo was born from a shared friendship and love of the harp. Marta Power and Elizabeth Jaxon met while studying music in Paris and have been playing together ever since. Both native to the Great Lakes region of the United States, they have made their lives in France and the Netherlands.
On the programme this Thursday: the duo’s own arrangement of Ravel’s “Mother Goose” suite, which we think you’ll find is wonderful on two harps!
Marta and Elizabeth will follow this with two original works, both by Caroline Lizotte. These are Raga Op. 41 for two harps and percussion, and Stellae Saltantem Op. 49
for acoustic and electroacoustic harp.Stellae Saltantem was commissioned by the Atlantic Harp Duo for their Ariadne Rediviva program, inspired by Greek gods and mortals.
Caroline Lizotte writes: “Stellae Saltantem is about Ariadne’s mortal life coming to an end. Her husband Bacchus (an immortal god), in order to celebrate their love, casts Ariadne’s nuptial crown into the firmament where it becomes a constellation – Corona Borealis, the Crown of Ariadne. Ariadne, loved by the gods, is transported and immortalised in the celestial sphere. I decided that one harp would represent the gods (electroacoustic harp) and the other one would represent the mortals (acoustic harp). I titled the piece in Latin “Stellae Saltantem”, meaning “dancing stars”.
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